Restoring the Cave Astrola

I do enjoy a nice project I can work on, get my hands dirty, and use my skills. A classic telescope in need of restoration? Just the thing.

Restored Cave Astrola 8" f/6
A restored Cave Astrola 8″ f/6 Lightweight Deluxe

This telescope was literally rescued from the trash. Matt, the owner of the excellent Mountain Road Cycles in Waimea found the telescope at the transfer station.

Matt put a message into the folks at the observatory, who represent more than a few of his customers. The info was quickly forwarded to me, as everyone here knows I build and restore telescopes for fun.

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Dreaming of a Cave Astrola

Restoring the 8″ Cave Astrola has me again looking at these classic telescopes. Reading the history of Tomas Cave and Cave Optical. Looking at the old advertisements and remembering things long thought forgotten. I may never have owned one before, but the Astrolas still had an impact upon me years ago.

My Astrola is now operational, with final assembly and collimation completed a week ago. So far I have used it for several evening sessions of observing from the driveway. The result is several pages of notes in the observing log, wandering through nebulae, clusters, and binary stars in Orion, Canis Major, and Puppis.

Cave Optical Advertisement 1970
Cave Optical Advertisement 1970, from Phil Harrington
When I was just starting my journey in astronomy the Cave Optical advertisement in each month’s Sky and Telescope was something to inspire dreams in a young teenager. In many ways those dreams have never been forgotten.

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The 8″ f/6 Cave Astrola Lightweight Deluxe

Yes, Andrew’s Home for Wayward Telescopes has a new resident, an 8″ f/6 1978 vintage Cave Astrola.

8" Cave Astrola
The 8″ Cave Astrola as it arrived

This telescope was literally rescued from the dump. Matt, the owner of the excellent Mountain Road Cycles in Waimea found the telescope at the transfer station.

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Hodgepodge: The Mishmash Mount

I have previously published a description of Hodgepodge, the mish-mash mount I used for the solar eclipse. While I wrote about the mount, and posted some photos, I did not really cover the construction. Now for some details…

Hodgepodge and the Eclipse
Hodgepodge set up at Grant’s Spring to photograph a total solar eclipse

A few months back I rebuilt the drive unit of an old Celestron mount, installing a drive corrector into the base unit in the process. I have used this sidereal drive for time lapse, but it can also be used to mount a telescope again. Better yet, with a few minutes reconfiguration, it can do either.

With the solar eclipse looming on the calendar I realized I needed a tracking mount to allow photography. Tracking would allow me to keep the Sun and Moon in the field without wasting precious seconds framing the image during the eclipse. It would also enable longer exposures without motion blurring the image.

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Hodgepodge

In the end it is a Celestron C8 telescope drive and forks containing custom electronics, a Meade heavy duty wedge from an LX-90, a hand-made tripod, holding a Televue 76mm APO telescope, using a Vixen style dovetail base, with a Baader film solar filter.

It is tempting to call it Frankenscope after the similarities with the classic monster.

Hodgepodge
Hodgepodge setup on the side of Mauna Kea with the TV-76mm and Telrad on the plate

To further add the the Mary Shelley plot similarities, much of this was revived from the junk pile. I very nearly decided to toss the drive and fork, they were that bad, peeling paint and rusty bolts. A great deal of work was necessary to re-animate these components.

The wedge came from a telescope that was killed in an unfortunate incident with an aquarium heater. The heater was used to de-humidify the OTA and prevent fungus on the optics. Note: Aquarium heaters are not made to operate out of water.

Hodgepodge
The Hodgepodge mount assembled for the first time

Several new aluminum parts were machined from scraps, some of which were scavenged when the observatory shop was being cleaned out and a lot of metal stock was tossed.

Many of the electronic components used to build the drive corrector were also scavenged parts from dead electronics, this includes the 1.8432MHz crystal that forms it’s beating heart. This heartbeat keeps the mount turning at exactly sidereal rate.

Yeah, you could call it Frankenscope.

But I will call it Hodgepodge.

Old School Drive Corrector

Telescope clock drives from the 1980’s or earlier often used AC synchronous motors. These commonly available AC motors are used to power timeclocks, record player turntables, and telescopes, anyplace a motor needed to run at a very accurate speed.

Sidereal Drive Platform
A Celestron telescope drive configured as a sidereal rate tracking camera platform

The speed of a synchronous motor is set by the frequency of the powerline, in North America and many other places this is 60Hz. As the frequency must be synchronized for every power station on the grid the frequency is quite accurate, a feature exploited by clockmakers and telescope builders. Once found everywhere these motors are less common, but are still around.

Drive Correctors

It was the common use of these motors in telescope drives that led to the invention of the drive corrector, a device that was once a required piece of kit for serious amateur astronomers. Drive correctors like this were needed when operating from a battery at some remote location, generating AC from a 12Vdc car battery.

You also needed a drive corrector for guiding while doing astrophotography. The corrector could speed up or slow down the telescope drive a bit to correct the telescope drive speed and stay on target, something not possible with the fixed 60Hz of the mains supply. Thus the term drive corrector.

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