The golden yellow glow that has dominated the night for generations is disappearing.
Low pressure sodium has been the standard technology for outdoor lighting for generations. the soft yellow glow is familiar to anyone who has lived in any urban area, coloring lives and countless photographs of the night.
The yellow glow of sodium light has been both celebrated and reviled. While the glow can be attractive in night scenery it also creates inhuman tones in faces and photos of people. Movies have been shot under sodium lights, songs reference the golden glow. Astronomers both professional and amateur prefer the lights as the light can be easily filtered from view.
Packing the camera for a trip always presents a set of vexing decisions for a photographer. What do you plan on shooting? What gear will be needed? This particular trip would be to a place I have never been and would present a range of unique photo opportunities. Nicaragua for the first time!
While I had never visited Nicaragua I had been in Mexico many times, I expected the photographic situation to be much the same, an expectation that was not disappointed. Each town in Latin America may be unique, but at at the same time looks much the same as the last. The character of these towns offers varied photo opportunities. Best of all to my thinking… Many towns feature markets, a sampling of the people and goods unique to the region, a condensation of the local culture in one convenient place.
Thus I chose my gear uncompromisingly for street photography. Leaving the big DSLRs and lenses at home I loaded two EOS-M bodies. I have one original model and one of the new M3’s purchased just before the start of the trip. These two cameras would take very little room in the luggage and offer a good range of capability. Traveling with only a single backpack meant space was at a premium. The primary lens would be the 18-55mm to allow a good general purpose walkabout capability.