With a little short of two minutes of totality I need to go into this with a plan. I do want a few photos, but I also want to experience the eclipse. How do I balance that?
The important bit here is that I am going to give myself time to simply enjoy the eclipse and not spend the whole time futzing with the camera gear. When totality begins I will simply sit back and watch. To that end I have thought through a shot plan that may just accomplish this balance.
The plan calls for three cameras… A single camera on a solar telescope, this will be primarily run on automatic with an intervalometer. I just need to check focus and centering of the solar image periodically during the long partial phases. I will use part of totality to attend to this camera and take a deep corona photo.
The island is home to a vibrant community of photographers, a mix of professionals and serious amateurs. There is one set of photos everyone, and I do mean everyone wants… Dual lasers on the Milky Way.
Just occasionally both of the keck telescopes, and both lasers, are focused on the center of the galaxy, both stabbing right at the heart of the Milky Way.
Opportunities to see and photograph this are few, and occur strictly during the summer months of June to August, when the Milky Way is high overhead. furthermore, these opportunities occur only when Andre Ghez and her UCLA Galactic Center Group have both telescopes scheduled.
July 25th was such a night, a good opportunity to get both lasers. Andrea’s group has the first half of the night, turning over the ‘scopes to other astronomers just after midnight. Actually there were a few nights this particular week, we just chose the 25th. After this galactic center season is over, at least until next year.
Another night on the summit for photography, another night of dual lasers working the sky above the Keck telescopes.
I have never really had a chance to properly use the old Celestron mount for photography after finishing it a few months back. Short tests, but nothing properly following the sky for hours on end as the equipment was meant to do.
It works, and it works very well indeed.
The video below contains 2.5 hours of time-lapse at 15 second for each exposure for 557 frames. Put that together and render at 24fps and you have the following result…