When you want to see the stars, find someplace dark
Same shot as yesterday, but some severe toning put into the mix. Processing this way can reveal a great deal of texture lost in a more realistic processing of the image. The result is a hyper-realistic image. Such images are fun to play about with, but are they real? Are they honest? Are they art?
Ever take a photo you think is going to be great, to have it ruined by too much color?
Some of the best underwater images I have are full of subtle colors and textures. While a splash of bright color can make a photo, too much bold color can take it too far. Another lesson in learning the art.
Almost all the photos shown here on Darker View are cropped at a 2:3 ratio. The reason for this? I like it. And perhaps I am used to this ratio. It is very traditional, having been used for many applications for decades, including the venerable 35mm photographic film.
Any number of cameras produce images with a 2:3 ratio, including APS-C sensor DLSR’s like my Canon 60D. The ratio is by no means universal. Many cameras use a 4:3 ratio, most compacts do, including my Canon G12. Other ratios are popular, HD video is 16:9, spurring a rise in popularity of this wider format.
I have read a little about the choice in cropping, the argument regular rages in photographic circles. One article in particular got my attention, the author extolling the virtues of a square crop, a 1:1 ratio. Perhaps I am in a rut, and need to explore the use of other cropping ratios. I use 1:1 on occasion, usually for astrophotos. Perhaps I should experiment with other ratios more often.
I know, I am late to this party. Not unusual, I do not often jump on the latest tech. I still use an iPhone 3GS, only three models back. It was, as usual, my wife who bequested this latest toy upon me. Without her I would be hopelessly out of date.
The GoPro HD Hero 2 camera is interesting to us as it comes with a standard waterproof housing good to scuba depths. The price was right, Deb picked it up as a Costco special.
Thus I attached it to the top of my usual rig to give it a try on a dive or two. As it turns out, it is a good thing I had my regular camera along, there are some issues with a stock GoPro underwater.
The first obvious issue is focus, as I had heard the camera will not focus properly underwater with the standard dome port. The solution to this is to get a flat port.
The more concerning issue is the burned out highlights visible in the video below. This is not unusual in a camera using a typical exposure algorithm designed for daylight above water. Underwater the red light is gone, absorbed by the water. This lack of red creates a tendency for the camera to overexpose the green or blue.
The usual solution is to set a slight under exposure in the scene using exposure compensation. However, the Hero 2 has no exposure compensation control. There are a couple possible solutions… Commonly available is a red filter for the flat port camera. Will this solve the burnouts? Another possibility lies in using a less saturated color profile as available in the new firmware.
While there were issues with the image, the sound seems pretty good for being in a case, much the same as what I hear when diving. The real test would be to dive with a few whales around to see how well it records whalesong. Alas, the humpbacks headed north a couple months ago. I miss the whalesong soundtrack on our dives. A pod of dolphins perhaps?
I plan to set up the GoPro as a stand alone camera and video rig for diving. Just the camera, an Ultralight handle and arm I have on-hand, plus a video light, which I also have on-hand. I just need to manufacture a tray for the setup, another hour in the machine shop. This should make a compact, lightweight dive or snorkeling camera rig.
I can think of a few other interesting uses for the camera, it has some nice timelapse facilities I need to test. Just the camera to use on the top of a boat. The camera does not do low light, just too small a sensor and lens. Still, there are quite a few things it should do well, a fun addition to the kit.
For the W. M. Keck Observatory 20th anniversary I did a short video. The idea was to create a teaser that could be run at the start of many of the events.
It is surprising how much work can go into a 90 second video. With a very short time span to work with you have to pack a lot of visuals in quickly. The basic material was mostly historical images of the observatory construction, a few bits from local photographer Ethan Tweedie, recycle a couple bits from Keck in Motion add a few science images and pau!
Digging through the library archive with Peggi was a great look into Keck’s past. At one point we had dozens of photo albums scattered across the top of the cabinets and I notes that we were making a mess of her library. She replied in no uncertain terms… “This is great, this is what a librarian should be doing!”
If you have not already seen the vid enjoy!
Star Struck from Andrew Cooper on Vimeo.
I got pleasant surprise walking past the newspaper box on my way to lunch. The Honolulu Star-Advertiser published one of my photos across the top of the front page!
This is not actually one photo, but a panorama assembled from several shots. It was a nice night, if very cold, the first light of dawn just visible on the eastern horizon. Overhead the laser competed with the light of a bright moon. We were doing tests of the newly commissioned Keck 1 laser when I had a chance to get up on the roof and take some photos. Over the radio I begged Heather to lower the bottom shutter on Keck 1 so I could see the telescope inside the dome. I then took about 15 thirty second shots spanning the full view from our roof.
As cold as it was to shoot, it was also a pain to assemble, I worked on this one for hours to get it right. Only about 180° is shown on the newspaper, the original is a full 360°. The result was worth the effort, for your viewing pleasure I have re-posted the full version below. Click on the image to get a larger version…
It was another hike out to see the lava. Not that I really need an excuse to make this hike. This time it was to take a friend along. I have worked with Olivier for several years, between the two of us we do much of the physical maintenance on the Keck adaptive optics systems. Shortly he will be departing the island for another opportunity. Before he leaves he wanted to cross off one more item from his bucket list, seeing the lava close up.
It was still completely dark, the light of the full moon masked by the clouds. The waves were lit by the crimson glow, occasionally surging against the cliffs and hiding the lava from view. The glow also illuminated the billowing clouds of steam rising above each rivulet of lava. The scene is surreal, something that is both unexpected and somewhat difficult to believe. This is something that is outside our usual daily experience.
With the day well begun we headed back to the ocean entry to shoot a few more frames in the early light. We sat on rock that was fairly warm under us, shooting the lava pouring into the waves. Relaxing a bit, digging a few bites to eat from the pack, we talked of cameras and lenses, of life on the island, a last bit of camaraderie with someone I might never meet again. We sat and just enjoyed this spectacle of raw nature. This was why we came, there is some risk in just being here, but the experience is worth it.
For your viewing pleasure, here are some of the best photos from Darker View assembled into a gallery. New Year is a time for reviewing the year past. I have enjoyed the last year, with the photos to prove it. I hope that 2013 brings you the chance to collect your own gallery of photos and memories.
