Looks like several folks saw this meteor come in, including the entire evening crowd at the VIS. Another report from Kali on Maui emphasizes just how bright it was.
Larry O’Brian reports from the VIS…
The highlight of the evening was unquestionably a spectacular fireball that burned brilliant green, slow- moving, threw off at least one fragment, the whole enchilada. No sound, other than thirty people shouting ‘wow!’ I first caught it around, say, Aquila heading towards Ophiuchus, but people were already calling out about it.
Between Larry’s excellent report and my own sighting I can place this meteor coming in steeply somewhere over or just south of Hualālai. From around the summit to out to sea beyond Kealakekua, much closer than I would have thought. Given the breakup and low altitude the proximity implies there could have been pieces reaching the ground. Anyone in South Kona report something hitting their roof?
Any readers want to join me search an entire 9,000ft volcano for meteor fragments? Spotting dark fusion crusted meteors on top of fresh black a’a basalt ought to be easy… Not!!!
Nice meteor fireball just a few minutes ago. Just as Deb and I were driving down Waikoloa Road, about 8:06pm, due south over Hualalai. It lit up the landscape a bit, very bright, with fragments flying off as it came in.
Given the time, mid-evening with dinner events and Iron-Man festivities underway, I suspect more than a few people along the coast noticed this one.
The clouds have not been kind to those of use hoping to observe a comet here in Hawai’i. Last night Deb and I were at the Mauna Kea VIS, volunteering with the evening stargazing. I had hoped to get a good look at the comet from a dark site. But the clouds kept me from seeing the comet at all. A few people did get a look when a hole in the clouds allowed a glimpse, but by the time I got to an eyepiece the clouds had again closed over Leo, obscuring the view.
I did get a few hours of decent skies a few nights ago from the driveway in Waikoloa. I took advantage of that time to get twenty four minute exposures with the Canon 20Da and forty exposures with the CCD camera. Unfortunately the streetlights precluded my getting a decent visual view. The camera did a bit better, revealing some interesting structure to the tail.
Processing the image proved to be quite a challenge. The comet is moving very fast against the background stars. Aligning the images on the stars turns the comet into a long blur, likewise aligning the images on the comet creates streaks in place of stars. The answer is to process the image both ways and add the two resulting frames together as layers in Photoshop. This is the first time I had attempted this process and the results are reasonable…
Comet C/2007 N3 Lulin on the morning of 22 Feb 2009
Damon alerted us to a nice display of a lunar halo currently gracing the skies over the Big Island. A nice example of a common 22° halo that can occur any time there is a thin layer if high cirrus. The 22° angle from the Moon is a result of refracting moonlight through ice crystals. These high altitude crystals act as little prisms, catching and deflecting the light at specific angles. The halo is actually very large, extending from 22° to 50° away from the Moon, but is brightest at the inner edge.
A 22° lunar halo produced by ice crystals high in the atmosphere over Hawai’i on 8 Dec 2008Halos like this are really quite common, but always seem to catch the attention of those who do not regularly watch the sky. There are many fantastic sights that occur regularly around us, all we have to do is keep an eye to the sky. It has taken centuries to learn how these effects are created though the play of light and water, even now there are some that are poorly explained. It is fascinating to learn what can occur and how it works.
There is a great website, Atmospheric Optics, that has examples and explanations for the many beautiful effects that the play of light can create in the atmosphere. Sun dogs, rainbows, parhelic arcs, glories, specters and more.
This halo is fairly broad and ill defined, probably because the ice crystals are randomly arranged. The halo could be sharper if the crystals were all at the same orientation to us, something that can occur if the winds are right. I attempted a shot of this one, the first time I had attempted to photograph a lunar halo. Not the greatest photo, this was pressing the camera to it’s limit. Even so the image starts to show effects invisible to the human eye, including a hint of color at the inner edge of the halo.
The sunset view from the summit of Mauna Kea is truly spectacular. From the summit you are usually above the clouds, watching the sun sink into a cloud layer thousands of feet below. The colors are intense, the deep blue sky, the red cinder and the gleaming telescope domes. This spectacle draws tourists from across the globe, trekking up the mountain just in time to witness sunset.
The shadow of Mauna Kea rising through the haze at sunset with the pink of the Belt of Venus aboveOne part of this spectacle is the enigmatic shadow that rises through the eastern haze, a beautiful pyramid of darkness that stretches to the distant horizon. A serene and yet awesome sight, the shadow reaches for infinity through the pastel shades of the Belt of Venus above the blue-grey shadow of the Earth itself. The shape is a perfect pyramid, with a symmetry not expected in a natural phenomena.
Oddly enough, it seems that the actual shape of the mountain is not that important in the creation of such a triangular shadow. The shadow will show that beautiful shape regardless of the mountain’s profile. Even a flat topped mountain will have a shadow that converges to a point at the top. This contradicts our experience, where common shadows match the shape of the casting object. We expect a shadow to portray the object.
A mountain shadow is different, the shadow is elongated to a great distance by the scales involved, in this situation the geometry dictates a different result. The secret to the shape of the shadow is that it is driven by the effects of perspective, with the shadow reaching to a vanishing point in the far distance. In 1979 the problem of the mountain shadow shape was mathematically modeled by William Livingston and David Lynch. They showed that regardless of the mountain’s profile a conical shadow would be perceived by a viewer near the summit. The proportions may differ depending on the profile of the mountain, but the conical shape would remain.
In the case of Mauna Kea, the effect is not obvious, the mountain does have a fairly symmetrical shape with steep sides. A viewer might not recognize the fact that the projected shadow does not match the shape of the volcano. An astute observer may notice a discrepancy, Mauna Kea is notably rounded at the summit, yet the shadow possesses a sharp apex.
I was completely unaware of this until it was pointed out to me a few days ago by Dean Ketelsen when I posted the Mauna Kea mountain shadow image. I suspect Dean has had many opportunities to see this phenomena from atop Kitt Peak, a flat topped mountain that casts a conical shadow.
A good lunar eclipse high in the sky. This was something I have not seen for a while. I have seen several lunar eclipses over the last few years. But they always seemed to be low in the sky from Tucson, rising with the eclipse already in progress. Thus as the date of this eclipse approached I was planning to view it properly. The eclipse would be high in Hawaiian sky, transiting with the Moon in totality. Perfectly placed to view the entire eclipse under the most ideal conditions.
Everyone at the VIS was enjoying the night!The timing was highly convenient as I was scheduled to be on the mountain in any case that evening to help prepare for an interferometer run that night. Simply pack the telescope in my vehicle and drive to Hale Pohaku at the beginning of the day so it is waiting with what I need that evening. The scope I chose was my 90mm APO, the focal length was appropriate to frame the Moon well on the Canon 20Da camera. This I mounted on the Losmandy G-11 mount quickly polar aligned with the polar scope and set to track at lunar rate. This particular setup had not been tested together and I thought it would work. I was pleasantly surprised when everything not only worked, but worked quite well.
There was quite the crowd gathered at the Mauna Kea VIS. No surprise, the VIS is the best place on the island to view anything astronomical. Above the clouds and tropical haze the side of Mauna Kea offers a clear view of pristine skies and several telescopes available for anyone to look through. What was surprising was the weather, while the skies are usually clear the VIS can be very cold, and if you add wind the conditions can be miserable. This was not the case! It was cool but not cold and there was no wind beyond a slight breeze.
How to properly observe an eclipse, set the camera on automatic and sit back and enjoy!We had a couple busloads of high school students, quite a few local folks who knew where to go for an eclipse and the usual group of tourists. The atmosphere was rather festive, a couple musical instruments had appeared and everyone enjoyed the night as the moon slid out of the light.
The proper way to watch the several hours of a lunar eclipse is in comfort. Thinking ahead I brought a lounge chair and setup properly where I could monitor the camera and see the frames on the LCD screen as they came in. This worked perfectly. I could view each frame as it was taken without getting up and adjust settings on the camera simply by reaching over. Between each frame just lay back and enjoy the view.
Well, maybe I am understating the amount of work, things were not that relaxed and the camera took a fair amount of tending. I could not get the camera to autoexpose well with a single bright object in an otherwise black frame. The camera insisted on overexposing the Moon badly, even with automatic bracketing the situation did not work until I just put the camera in manual and adjusted the exposure regularly. The scope did not track perfectly and I did need to adjust the position a few times each hour. But the setup and tending were worth it as the resulting pictures are quite satisfying.
Lava flowing from the July 21 vent of Kilauea as seen from the Mauna Kea VIS about 30 miles away, taken with the TV-76This eclipse was darker than any I have seen lately, the Moon dimly seen high in the sky, my camera exposures running to 30 seconds to get a decent image. Once the view of totality had worn off it’s novelty the other telescopes began taking advantage of the truly dark conditions to show deep sky wonders to the crowd. The scopes jumped from Galaxy to globular clusters with the view being fully as good as a moonless night. It seemed of to be looking at M31 and other deep sky objects with the unaided eye on a night of a full moon.
As the eclipse wound down word of another spectacle made its way to me, the glow of something odd seen to the south. This got me out of my comfortable chair to go and see. Surprisingly the usual solid clouds on the east side of the island had parted and the brilliant golden glow of fluid lava was to be seen! There was some confusion as to what it was, some thought it was the lights of Hilo, but there was no confusion to those of us familiar with the view from Hale Pohaku.
The latest lava flow from a rift on the eastern flank of Kilauea was a river 100m wide and several miles long, even from our vantage point thirty miles away we could clearly see the stream. We could see the lava falls near the head of this river with binoculars as well as most of the course. The view of an eruption and an eclipse was and extraordinary reminder of the dynamism of the earth and universe around us.
Above is one of my photos from mid-totality taken with the 90mm APO and a Canon 20Da DSLR, note that several stars frame the moon. Check out a few more pictures of the eclipse from the visitor center by Simona Vaduvescu
Total lunar eclipse, photo is a 8sec exposure with a Canon 20Da on a 90mm f/12 APO
Pu’u dot the landscape of the Island of Hawai’i. Pu’u, (pronounced poo-oo) is an interesting Hawaiian word that can mean hill, bump, pimple, wart, or any similar concept, but in this case generally means cinder cone. These reminders of the volcanic origins dot the sides of the big volcanoes like pimples on the face of the island. They are everywhere and each has a traditional name. Locals have used them since the dawn of civilization on the islands to give directions, describe legal land boundaries and name roads throughout the island.
Learning your way around the island is often learning the names of the Pu’u. I use them to mark my progress along my morning commute to work and note the weather above Wiamea. A large pu’u stands above the end of Saddle Road where it turns into the center of the island and another pu’u marks the intersection of Saddle Road and the Mauna Kea access road that climbs to the summit winding through the pu’u that cover the flanks of the mountian. Keck Observatory itself sits on the rim of Pu’u Hou ‘Oki.
The West Hawaii Astronomy Club’s dark sky observing site sits directly beside a small pu’u that goes by the name of Pu’u Kuainiho in a unit of State DLNR land named for Pu’u Anahulu. Nothing fancy, a large gravel lot just off a major state highway, but far anough off to avoid the headlights. Easy to find along the road from Waimea to Kona. It sits at about 2,000ft elevation, high enough to be above most of the low altitude tropical haze. Being in the rain shadow of a 14,000ft peak the site offers surprisingly reliable weather, it is often cloudy in the evening but almost always clears after dark. The only real issue is the often heavy formation of dew and some ground mists that will plague observers. The site is a comprimise between fairly decent skies offered by lower elevations here in Hawaii and the truly spectacular observing that can be had from sites high on the side of Mauna Kea at 9,000ft. The only issue is that those perfect Mauna Kea skies are accessed by a rough hour long drive up Saddle Road and are often windy and quite cold. Sometimes a warm site 15min from home on a good road wins the toss.
This time the target was meteors, a shower I had often not observed because it generally occured in the middle of Tucson’s rainy monsoon season. But a dark sky with no Moon and access to a decent dark site a few minutes away was simply too attractive. Except, of course, for the 2am setting in the alarm clock. I had expected a few other observers to be out for the peak, but when I got to the site I was alone. No matter, nothing new for me. I had brought along the Losmandy mount and the DSLR for a little attempted meteor photography and a lounge chair for relaxed meteor observing.
Set the mount up, a quick polar alignment with a polar scope good enough for wide field photography, bolt the camera on and let it go. Just lie back in the chair with a couple blankets and I am set!
OK, start the show now…
…I must have waited five minutes for the first meteor.
But meteors did appear. A few dim ones widely scattered and a few bright ones from time to time to annouce that something out of the ordinary was going on. I kept a few rough counts to do a quick estimate of rates using the camera’s shutter interval as a timer. I would get three to five every five minute interval giving rates of around 30-60ZHR. Nothing spectacular, just a decent show as the Perseids are so well known for. Though after the true Leonid meteor storm I witnessed in Tucson a few years back anything else does seem a little tame.
As for the photographs? A careful examination of every photo shows a staggering number of meteors were captured by my extensive photographic effort. I had to painstakingly go though each photo to come up with a grand total of…
zero.
I did get a nice photo of the Perseus-Cassiopea region of the Milky Way however…
Cassiopeia and Perseus region of the outer Milky Way, Canon 20Da, 14 5min exposures stacked, M31 and the Double Cluster are easily visible
See a naked eye asteroid? Why not? I had never seen an asteroid with the unaided eye before and here was a good chance. Was it worth setting the alarm clock for 2am? Sure, you cannot answer that with a no if you are truly an amateur astronomer.
Off goes the alarm… wife starts grumbling… throw a few things in the vehicle… a few more complaints from my wife now up and awake… feed the cats… A kiss… and off into the dark. I setup at the end of the development where the streetlights have yet to be turned on, at the end of a dead end road surrounded by lots that have been graded but not yet built on. While setting up the gear I discover I am not quite alone, listening to hooves clattering up the road towards me. Someone riding by moonlight? No, just three feral donkeys that wander past. Later, the calm was broken by a male donkey being, ah, quite energetic, just up the hill, and willing to tell the world about it.
Conditions could have been better, Jupiter was a swimming ball, so much for a little planetary viewing to pass the time awaiting moonset. Transparency was only so-so with the usual low altitude tropical haze and the occasional cloud scudding through. So just sit back and enjoy the night for a while, and try to ignore the loud braying that occasionally disturbed the otherwise peaceful night.
As I waited for the moon to set I noticed a bank of clouds approaching from the northeast. The usual cloud bank over the Kohala volcano was reaching out a little further than it usually does. This was a bit of a concern, when the trade winds are blowing this cloud bank usually forms over the Kohala and with it a heavy misting rain that drizzles constantly in Waimea. I looked about at my gear and decided to cover some of it up in case this cloud bank got closer.
And it did, and as usual the mist was falling ahead of it driven by the steady breeze. Combine a wall of mist and a setting bright moon and the unexpected can occur. I looked out to check the cloud’s position and quickly did a double take. Hanging there in the wall of mist was a beautiful, ghostly moonbow. Grab the camera time!
Camera, tripod, remote shutter release… dash 50yds to where the big power lines would not dominate the picture… hope not to find the donkeys that are around here somewhere… find a spot on the rocks of the ancient lava flow where I could setup the tripod without endangering the camera or my ankles… in the dark… focus the camera… in the dark… frame… program the shutter release for a one minute shot… fire! Time for two frames before the moonbow faded from sight. A quick check of the frames and victory! Got it!
Moonbow! 1min, Canon 20Da, 17mm@f/4 with the lights of Waimea at center
With the fading moonbow and the setting Moon I was able to return to my mission objective, Vesta without optical aid. Finding the asteroid was trivial, just starhop up from Jupiter or down from ζOph and there is was. Swung my little TV-76 to the correct location and there it was, right on the location plotted. Easy to see at about 5.5 mag. a little brighter than HIP80793 at 5.6 mag. that was located about 1°sp. Naked eye was tougher, there was a line of 4-4.2 mag. stars coming up from Sco that was relatively easy, but it took averted vision to find Vesta and then only occasionally as it would appear and dissapear before my eye. I was clearly being hampered by the lousy seeing and poor transparency down lower in the sky. I am sure from a better site, possibly up on the side of Mauna Kea without the moonlight it would be quite simple to spot. I will need to try again before this opposition is over. That will have to wait a bit until after full Moon.
C/2006 P1 McNaught is currently passing close to the Sun. At a mere 18 million miles (0.197 AU) from the Sun the intense solar radiation is causing the comet to boil and vent violently. The resulting cloud of gas and dust is reflecting enough sunlight to brighten the comet dramatically. Estimates are placing the comet at mag. -5 or even mag. -6. This is much brighter than even Venus! Some observers are reporting easy unaided eye visibility, but in the sky over Tucson a lot of dust and aerosols in the air are causing a great deal of glare around the Sun. Thus binoculars or a telescope is required to see the comet.
C/2006 P1 McNaught captured with a TV-76 operating at f/5 and a Canon 20Da DSLR, 1/8000 sec, gain at 100ISO. Taken 2:29pm 14 Jan, 2007 and processed with Photoshop. Three frames aligned and stacked in Photoshop to improve the signal to noise ratio.The challenge is that Comet McNaught is just five degrees east of the Sun. Observing so close to the Sun presents distinct dangers, I do not want to fry my retina! So I carefully positioned my TV-76 on the alt-az mount so that the Sun was just behind the edge of my carport. Thus I could pan around and locate the comet with little fear of direct sunlight down the tube. A few frames with the Canon 20Da turned out OK but not great, those dust and aerosols in the sky and the resulting glare is reducing the signal to noise in the images. The photo to the right is a stack of three images in an attempt to improve the signal to noise, then greatly cropped in and levels adjusted in Photoshop.
The view was better in the eyepiece. A sharp point of the coma with a fan shaped tail. This really looks like a classic comet, I had not expected such a good tail in the bright sunlit sky. This is my first daytime comet, and since the opportunity may not come again anytime soon, this may be my only chance to see one, truly a once in a lifetime event!
About a dozen times a century Mercury passes in front of the Sun as seen from Earth. The event is observable with a modest telescope and a solar filter, Mercury can be seen as a small black dot crossing the surface of the Sun. If half of those happen when the sun is below your horizon the average person will have the chance to observe five or six in a lifetime. Since the next opportunity will not occur until May 9th, 2016 I didn’t want to miss this one!
90mm refractor Violet Haze photographing the transitI took the day off.
Considering that Mercury never gets very far from the Sun means that most of the time you can observe Mercury it is low on the horizon and is typically seen through a great deal of atmospheric distortion. A transit is one exception to this, during a transit mercury is a sharp disk, very different from the multicolor jello ball that is usually seen.
The 2006 Transit was well timed for observation across western North America, starting just after noontime and ending at 5:09pm MST. This put the Sun high in the sky for all but the last part of the event. Our weather cooperated as well, delivering a cloudless blue sky the entire day in place of the clouds that had been forecast. The air was reasonably steady as well allowing good photographic and observing conditions.
I took advantage of the weather and photographed almost the entire transit, all but the very end when the sun sank below the trees in my neighborhood. I used the Canon 20Da and setup a timer to shoot every 5min. The only issue was the inability to do a polar alignment on the mount when setting up in the middle of the day. The result was I had to manually guide the scope every 10-15 min to keep the sun centered.
I got plenty of good photographic material, enough for a few single photos as well as an animation of the transit. A transit is an impressive demonstration of the scale and arrangement of our solar system. Not hard to visualize the reality of those textbook drawings of planetary orbits after you have had such an opportunity to see the real thing.
No complaints on my second Mercury transit.
The Mercury transit of 8 Nov 2006 in progress. Mercury is about halfway between the center to the bottom, a large sunspot complex is visible on the left edge. Photo with a 90mm APO refractor, a Thousand Oaks full aperture filter and a Canon 20Da camera.
