When you want to see the stars, find someplace dark
For decades I have used a Bogen 329 tripod head atop a Manfrotto 3221 tripod as my ‘heavy’ setup. This tripod has been carried for miles on hiking trails, over lava flows, and has sat in the cold winds for many a night under the stars of Mauna Kea. Heavy and solid the tripod can hold a camera motionless for hours in strong winds.
This old tripod has also been showing its age, the pan and tilt adjustments becoming difficult to use.
I have previously published a description of Hodgepodge, the mish-mash mount I used for the solar eclipse. While I wrote about the mount, and posted some photos, I did not really cover the construction. Now for some details…
A few months back I rebuilt the drive unit of an old Celestron mount, installing a drive corrector into the base unit in the process. I have used this sidereal drive for time lapse, but it can also be used to mount a telescope again. Better yet, with a few minutes reconfiguration, it can do either.
With the solar eclipse looming on the calendar I realized I needed a tracking mount to allow photography. Tracking would allow me to keep the Sun and Moon in the field without wasting precious seconds framing the image during the eclipse. It would also enable longer exposures without motion blurring the image.
Continue reading “Hodgepodge: The Mishmash Mount”Taking star trails is one of the easiest forms of nighttime photography. it requires less equipment than full out astrophotography, only a camera that can take a long exposure and a tripod. In a pinch you can do without the tripod.
For a number of reasons taking one very long exposure is a problem with digital cameras. Without getting into a technical discussion of noise, dark current and hot pixels we will simply advise taking short exposures. You can always try a twenty minute or half hour exposure and see for yourself. Thus the technique is to take a series of short exposures, usually one to five minutes long, and add these together in processing. By taking a series of short exposures, the final exposure length is limited only by the camera battery or the arrival of dawn.
If the camera is sensitive enough, and you have a fast lens, you might try starscape photography, where the stars are not trailed by the motion of the Earth. In contrast, star trail photography can be done by almost any camera that can take a long exposure. The difference is in the length of the exposures, long versus short, star trail or starscape.